L’art d’aimer / The Art of Loving (1985), another colour short, is probably the weakest of the ten films, mostly because it’s a blurry monologue (read by Smolders) from the perspective of a man confused about past events from his youth, and the fate of his mother. Smolder’s voice is deadly monotone, and the short drones on towards a climax set in an old age home, and a room filled with men and women suffering from diverse ailments, or seniors trapped in some darkened mental gloom. - kqek.com
