The film is dedicated to the memory of American surrealist Paul Sharits. Sharits sent Robakowski a film score with a proposal to use it in a film production, but the outbreak of martial law prevented the idea from being realised. The film was not made until 2004. The film was created as a result of a very rigorous, constructivist formal procedure, subordinating specific visual values to the melodic line of the musical piece. During the screening, as the notes of the composition are played, corresponding colours appear on the screen, eight colours that correspond to the notes of Fryderyk Chopin's Mazurka Op. 68 No. 4. The vibration of the changing colours and the radiance of the light create a coherent whole with the composer's nostalgic piece. The colourful fields pulsating to the rhythm of the music evoke, on the one hand, the American's structural cinema and, on the other, show the almost vital energy of colour.